Meet the Makers – Tom Ashlee

For today’s meet the maker, we meet Tom Ashlee. Tom is a Kent based Graphic designer and Illustrator working across a variety of platforms and mediums, from package design to lyric videos. Seamlessly moving from bold and striking logo design work within the music industry to calming, detailed pattern work for local brands, Tom’s love of album artwork consistently inspires his working approach. With sleek finishes Tom’s attention to detail instantly makes an impact, as complex compositions meet to present retro themes among an ordered creativity.

Can you tell us a little bit about where you grew up and how that may have influenced your work?

From a young age I had always been interested in music and owning the CD of a new favourite song or album. I believe this is where my initial love for design and also music came together. I began creating doodle-esque drawings which I later developed into stronger pattern compositions and I continue to develop this style, whilst also experimenting in other areas of design.

Do you have a favourite artist or designer that has inspired your work?

In school I found out about multidisciplinary designer Kate Moross, who also primarily worked in combining design and music. Their work always inspired me, not just from the work they create but also their continuous drive and forward thinking within the industry.

Your work focuses on pattern design but can be varied in style. Do you have a preferred medium to work in or enjoy experimenting with a variety of different mediums and styles?

I would say I enjoy a good balance of working with pen and paper but also taking things into digital media, working with drawing apps such as Procreate and also Photoshop. In terms of my style, I have always loved quite abstract art and design, admiring the work of artists such as Kandinsky and more contemporary artists like Gareth Pugh. I enjoy developing my style, playing with shapes and patterns in all different ways.

When you start a project do you tend to start with sketches or work digitally?

If I am working with pen on paper I tend to sketch out a rough idea of a composition I like and then go over with pen to create the finished product. If I am working digitally I tend to start with a rough concept of what I want to do and experiment with the composition until it feels right.

As a part of our Stationery Week campaign we are offering a generous 50% discount on selected makers and their designs for one day only! Today we are offering 50% Off Tom Ashlee personalised stationery using code: TOM50ASHLEE

 

Meet the Makers – Type & Story

For another instalment of Meet the Makers, we sit down with Type & Story a small but exciting London design studio making contemporary paper products. Founded by Niccy Iseman with the minded approach of living well and with purpose, conscious intent is at the core of every story choice and the brand’s ethos overall. Promising to bring balance to your life through confident designs, Type & Story bring an elegance to organisation. Operating like a micro fashion house in that each story is different but always under the umbrella of typography and storytelling, each product is designed to uplift, inspire and empower.

Addressing their origins and interests, Type & Story note “We take interest in so much. We take nothing as fact and are open to multiple interpretations. We take interest in how things are displayed and styled as well as what the core of each collection means. We are open-minded and revel in the act of storytelling.”

Can you tell us a little bit about where you grew up and how that may have influenced your work?

I studied Art History for my degree which definitely helped conceptualise the visual world and where I sit in it as a graphic designer. I grew up in London and worked part time throughout my teenage years at retailers such as Selfridges, Liberty and Harrods which exposed me to the most design led commercial products on the market. This undoubtedly helped shape my taste, level and passion for gifting products.

Your work varies from graphic notebook designs to more illustrative card designs. Do you enjoy experimenting with different styles and compositions?

Yes. For as long as I can remember I’ve told myself the narrative that I can’t draw. A few years ago I invested in an iPad and started to explore the application  Procreate which changed the way I design. I realised that maybe I can draw. I don’t like being pinned down to one style, I like to evolve and flow with the mood of the time.

When you start a project do you tend to start with sketches or work digitally?

I always create a moodboard before I start designing which incorporates competitors, colours, themes, styles, and genres. It can be anything from a single page to a 50 page document!

Do you have a favourite artist, designer or movement that has inspired your work/work ethic?

I am inspired by so much. Mostly my own feelings and things that you can’t see. But if I had to narrow it down, my favourite artist is Tracey Emin. I love how she prioritises the concept over the aesthetic. Her approach is so witty and honest its refreshing. Music also helps me create. I designed the entire Planet Earth Collection in three mornings whilst listening to the band Life in Film (who are no longer together anymore!)

Meet the Makers – Alejo Mi

For this Meet the Makers we meet Alejo Mi. Tumi, the creative mind behind the brand, describes its style as ‘afro boho chic’ and we couldn’t agree more! With uplifting colours and conceptual compositions, it’s clear Tumi’s Nigerian heritage encompasses the identity of the brand, even though Tumi left Nigeria for England aged just 7. Meaning ‘My Guest’ in Yoruba, Tumi’s native mother tongue, Alejo Mi stands to represent the help yourself spirit. With lots of things to decorate and enhance the beauty of your home, Tumi’s purpose with Alejo Mi is to provide. From coasters to wall prints, Alejo Mi creates a cohesive aesthetic transporting you to her mother land. With such an important contextual history and heritage behind the brand, we sat down with this maker to learn more about how identity impacts product.

Can you tell us a bit about where you grew up and how that may have influenced your work?

I was born in Nigeria and lived there until I was 7 when my family moved to West Yorkshire. What a culture shock! From the sub-Saharan heat to seeing snow for the first time. My art allows me to revisit my memories of Nigeria and allows me to marry with that with other African indigenous patterns and motifs. Every now and then I also like to mix other shapes based on how playful I’m feeling at the time. My work is always a mix of all of these things.

Can you share any notebooks or sketches with us to show an insight into where some of your projects began?

Yes, I prefer to draw on loose sheets of paper. I find that I reserve a sort of reverence for sketchbooks, which I almost treat as sacred spaces. Not every sketch will make it into a sketchbook unless I really love it. Below, I have a selection of different sketches and how they start. My love for the widely enjoyed African delicacy of fried plantain (a banana-like fruit that is eaten cooked) is celebrated in my earlier prints. I did several iterations of the print and after much manipulation I was happy with it and titled it ‘Plantains on Blue’.

How do you typically start a project? Do you tend to begin with rough sketches or do you prefer to start digitally?

Every Alejo Mi print starts its life as a pencil and paper sketch. Once I am happy with the sketch I add colour using paints or watercolour markers. I have started experimenting more with digital art, but I follow the same process, by starting off with a real life sketch. I love to work on all sorts of different mediums, but watercolours have my heart. I find I have greater control and precision with these tools which allows me to feel better connected to what I am drawing or sketching.

Do you have a favourite artist or designer that has inspired your work?

When I was younger, I really loved the work of Henri Matisse for the vibrancy and the boldness within his works. Then shortly before I started my Architectural studies at university, I fell in love with the work of Antoni Gaudi. I have always had an affinity for artists who challenge this idea of acceptability and those who do so with bold colours and vibrant shapes. Fast-forward to today, I am currently inspired by an eclectic mix of visual and audible art. I read Half of a Yellow Sun by Chimamanda Ngozi Adichie in the summer of 2010 and was greatly inspired by the stories which brought up my memories from my earlier childhood and brought to the forefront my desire to express cultural art that relates to my own earlier influences growing up in Nigeria.

Where do you see your art going in the next couple of years?

I would love to see my art in more homes. I would love to see my art prints gifted to friends, my coasters on the desks doing their bit to brighten the work space. To do this, I would love to partner with more brands and boutique shops to release more home décor and giftable items.

Browse some of Alejo Mi’s designs

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